This afternoon I went to see the new Australian film The Tracker, starring David Gulpilil, at the Rivoli. It is beautifully shot, and takes on a dark and important part of Australia’s history – the persecution of the Aboriginal people. The story is at times a bit thin I think, and some of the scenes are too drawn out, but I enjoyed it.

Too bad I missed another Australian film on the same theme, Rabbit Proof Fence, when it was showing earlier this year, but I hope I’ll get a chance to see it soon.

I went to the final day of the MIFF yesterday, and saw three shows in a row – first the South Korean Teenage Hooker Became Killing Machine in Daehakroh, which was a disappointment really. Too artsy and drawn out (yes, even for me), although it got better towards the end. Following that I saw two documentaries about aboriginal Australians, the highly acclaimed Black Chicks Talking, followed by Gulpilil: One Red Blood, which were both wonderful.

As I came out from this show, I saw people lining up for ‘Tokyo Express’, a programme of new japanese anime, so I decided to get a ticket for that as well. Came home about a quarter past twelve, pretty tired from over six hours of movies. But it was worth it, I guess, and now i can feel prepared for upcoming festivals in Oslo this winter…

After arriving in Brisbane last week, I discovered that the 11th Annual Brisbane Film Festival is on at the moment, and since I’m in town, it’s an excellent opportunity to see some good movies. So far the better ones have been Donnie Darko, the Romanian Everyday God Kisses Us on the Mouth., and the excellent documentary Devil’s Playground.

I’m planning to see more movies during the week, but I’ll need to do some more tourist-stuff as well, since I can’t sit inside a dark theatre all the time. After all, it’s supposed to be a holiday …

Went to see David Lynch’s Mulholland Drive at the Rivoli. The theatre was nearly empty, and no wonder – this is a pretty weird movie. The plot starts out basic enough, but the last 1/2 hour is just plain confusing. But you just have to expect that from Lynch, I guess…

And I still liked it, it’s beautifully shot, has some really creepy scenes, and I also think he wants to say something about the true face of Hollywood, the one that lies below all the glitz and glamour.